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! style="padding:2px;" | <h2 id="mp-tfa-h2" style="margin:3px; background:#cedff2; font-size:120%; font-weight:bold; border:1px solid #a3b0bf; text-align:left; vertical-align:middle; color:#000; padding:0.2em 0.4em;">Featured Case: XicanX: New Visions</h2>
 
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{{Display censorship incident
 
{{Display censorship incident
 
|ongoing=no
 
|ongoing=no
|year=2015
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|year=2020
 
|region=North America
 
|region=North America
|artist=Roopa Vasudevan and Atif Ateeq,
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|artist=Xandra Ibarra
|subject=Political/Economic/Social Opinion
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|subject=Sexual/Gender Orientation
|confronting_bodies=Flux Factory, NYPD Patrolmen's Benevolent Association
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|confronting_bodies=San Antonio Department of Arts & Culture
|medium=Electronic Media, Installation, Mixed Media
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|medium=Film Video
|date_of_action=May 2015
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|location=San Antonio, Texas
|location=Flux Factory, Long Island City (Queens), NY
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|description_of_content=Created in 2014 from a live 2004 performance, Ibarra’s work addresses racial and gender stereotypes through the artist’s performance as a minstrel Mexican housewife who takes on her “racial bondage to hot sauce, tacos, and demographic panic” in a humorous retro border corrida.
|description_of_content=HANDS UP is an interactive installation that explores law enforcement’s relationship with people of color. The installation simulates the experience of being confronted by the police in the manner that resulted in the 2014 shooting death of Michael Brown, an unarmed African-American teenager, in Ferguson, MO. The piece directly places visitors in the chaotic and overwhelming moments that have since led to an ongoing debate about the state of race relations in America. Video plays on loop of Freddie Gray’s arrest in Baltimore, and police shootings of Walter Scott in South Carolina and Michael Brown in Ferguson. The installation is meant to be experienced alone.  
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|description_of_incident=Suzy González and Michael Menchaca, under their collective name “Dos Mestizx,” curated the exhibition “XicanX: New Visions” celebrating Chicano art at Centro de Artes, a downtown gallery owned by and funded by the City of San Antonio Department of Arts & Culture. On the day of the opening, Ibarra’s video work “Spictacle II: La Tortillera” was removed upon orders from the city, despite the curators complying with city requests to curtain off the work with advisory signage. San Antonio’s Department of Arts & Culture removed the artwork by Xandra Ibarra from this exhibition because of apparent discomfort with its unconventional representations of sexuality and the challenge it presents to gender stereotypes.  
  
From the website: "One at a time, a viewer walks behind a curtain into a room containing a large wall of flashing red and blue lights. They hear the sounds of sirens and the voices of police telling them to put their hands up. Once they comply and their hands are in the air, a gunshot is heard, several blinding strobe flashes are triggered, and the noises disappear. The viewer is shaken by the sudden light and noise, and left in a chilling void of silence as they exit the space."
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San Antonio’s city attorney determined that the work violated a Texas statute disallowing “obscene content,” despite the work not meeting the legal definition of obscenity upheld in Miller v. California (1973), which exempts material with “serious literary, artistic, political, or scientific value.” Ibarra is a well-recognized performance artist. Her work has been shown in museums and other established venues like El Museo de Arte Contemporañeo (Bogotá, Colombia), the Broad Museum (LA, USA), ExTeresa Arte Actual (DF, Mexico), PPOW Gallery (NYC), Anderson Collection (Stanford) and the Yerba Buena Center for the Arts (SF). The work in question has been exhibited nationally and internationally, including at Centro Nacional de las Artes in Mexico City, and the National Museum of Women in the Arts in Washington, DC.
|description_of_incident=Patrick Lynch, president of the Patrolmen’s Benevolent Association (the NYPD police union), told the Daily News: “This so-called ‘art project’ is based upon a lie and perpetuates a falsehood about police officers and their use of force. If art is supposed to enlighten and uplift, this piece of crap doesn’t qualify.” Lynch told PIX11 that he had not seen the installation, but he had heard about it.
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|description_of_result=Despite a determination that the work did have serious artistic value, the Arts Commission voted to leave the final decision to the director of the Department of Arts & Culture, Debbie Racca-Sittre. Racca-Sittre has stated that she has no intention of returning the video work to the exhibition.
|description_of_result=After being harassed, Flux Factory closed the space to the public for the remainder of the exhibition and visits to the installation could be made by appointment only. ('Hands Up' was scheduled to be on display at Flux Factory from May 15–19, 2015).
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|image=IBARRA-600x337.png
|image=Roopa Vasudevan hands-up1.jpg
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|source=https://ncac.org/news/san-antonio-censors-queer-latina-performance-artist-xandra-ibarra, https://aldianews.com/articles/culture/social/art-and-censorship-artists-too-spicy-video-has-censored-city-san-antonio, https://therivardreport.com/centro-de-artes-subcommittee-unanimously-approves-censored-video/, https://www.kqed.org/arts/13875472/texas-city-censors-oakland-artist-xandra-ibarras-obscene-feminist-video, https://hyperallergic.com/544286/xandra-ibarra/
|source=https://rouxpz.com/hands-up
 
 
}}
 
}}
HANDS UP: https://rouxpz.com/hands-up
 
  
[https://www.indiawest.com/entertainment/global/indian-american-explores-police-gun-battle-deaths-through-digital-art/article_7a6c0bd8-0dff-11e5-bc8a-6f1f0f4b78c5.html Indian American Explores Police Gun Battle Deaths through Digital Art, Jun 8, 2015]
 
  
[https://hyperallergic.com/208206/crimes-of-the-art-13/ Crimes of the Art, Benjamin Sutton May 19, 2015]
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<br>
 
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<Br>
[https://pix11.com/2015/05/18/police-union-slams-hands-up-art-exhibit-in-queens/ Police union slams ‘Hands Up’ art exhibit in Queens, MAY 18, 2015]
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[http://player.ooyala.com/static/v4/stable/4.16.8/skin-plugin/iframe.html?ec=51Yng1dToZFIAZmKwnQ9BZO8_s2y6o9W&pbid=9ae34776f76145da969becdeb205e6a5&pcode=hpOTQyOnmbX84Mb9rpsdJwTfN9uo&fbclid=IwAR3WdCOB20CXXBhu5PVxUIoN4NqMLaQqrzmgHJDbYzIapmi4uNkJy_wwx8o Video interview (PIX11)]
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[https://news.artnet.com/exhibitions/hands-flux-factory-installation-simulates-police-shooting-299454 Hands Up: Flux Factory Installation Simulates Police Shooting, by Cait Munro, May 18, 2015]
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[https://www.nydailynews.com/new-york/queens/nypd-union-slams-hands-art-installation-queens-article-1.2225266 NYPD union slams 'Hands Up' art installation in Queens, By THOMAS TRACY and ANDY MAI. NEW YORK DAILY NEWS MAY 17, 2015]
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[https://www.metro.us/new-york/controversial-queens-exhibit-simulates-police-shooting/zsJoeq---5RWYYzZsbHvK6 Controversial Queens exhibit simulates police shooting, By Nidhi Prakash, May 17, 2015]
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[https://www.reuters.com/article/us-usa-newyork-handsup/new-york-exhibit-taps-into-dialogue-on-race-and-policing-idUSKBN0NZ27G20150515 New York exhibit taps into dialogue on race and policing, by Alice Popovici MAY 15, 2015]
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[https://www.instagram.com/p/2uRWQrrXah/?utm_source=ig_embed Flux Factory Instagram post, May 15, 2015: Hands Up]
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[http://www.fluxfactory.org/events-old/hands-up/ HANDS UP, a project by Atif Ateeq and Roopa Vasudevan / Opening Reception Friday May 15th, 7 – 10pm / On view May 15th-19th, 2015]
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Revision as of 15:18, 2 March 2021

Featured Case: XicanX: New Visions



IBARRA-600x337.png

Artist: Xandra Ibarra

Year: 2020

Date of Action: February 2020

Region: North America

Location: San Antonio, Texas

Subject: Sexual/Gender Orientation

Medium:

Confronting Bodies: San Antonio Department of Arts & Culture

Description of Artwork: Created in 2014 from a live 2004 performance, Ibarra’s work addresses racial and gender stereotypes through the artist’s performance as a minstrel Mexican housewife who takes on her “racial bondage to hot sauce, tacos, and demographic panic” in a humorous retro border corrida.

The Incident: Suzy González and Michael Menchaca, under their collective name “Dos Mestizx,” curated the exhibition “XicanX: New Visions” celebrating Chicano art at Centro de Artes, a downtown gallery owned by and funded by the City of San Antonio Department of Arts & Culture. On the day of the opening, Ibarra’s video work “Spictacle II: La Tortillera” was removed upon orders from the city, despite the curators complying with city requests to curtain off the work with advisory signage. San Antonio’s Department of Arts & Culture removed the artwork by Xandra Ibarra from this exhibition because of apparent discomfort with its unconventional representations of sexuality and the challenge it presents to gender stereotypes.

San Antonio’s city attorney determined that the work violated a Texas statute disallowing “obscene content,” despite the work not meeting the legal definition of obscenity upheld in Miller v. California (1973), which exempts material with “serious literary, artistic, political, or scientific value.” Ibarra is a well-recognized performance artist. Her work has been shown in museums and other established venues like El Museo de Arte Contemporañeo (Bogotá, Colombia), the Broad Museum (LA, USA), ExTeresa Arte Actual (DF, Mexico), PPOW Gallery (NYC), Anderson Collection (Stanford) and the Yerba Buena Center for the Arts (SF). The work in question has been exhibited nationally and internationally, including at Centro Nacional de las Artes in Mexico City, and the National Museum of Women in the Arts in Washington, DC.

Results of Incident: Despite a determination that the work did have serious artistic value, the Arts Commission voted to leave the final decision to the director of the Department of Arts & Culture, Debbie Racca-Sittre. Racca-Sittre has stated that she has no intention of returning the video work to the exhibition.

Source: https://ncac.org/news/san-antonio-censors-queer-latina-performance-artist-xandra-ibarra, https://aldianews.com/articles/culture/social/art-and-censorship-artists-too-spicy-video-has-censored-city-san-antonio, https://therivardreport.com/centro-de-artes-subcommittee-unanimously-approves-censored-video/, https://www.kqed.org/arts/13875472/texas-city-censors-oakland-artist-xandra-ibarras-obscene-feminist-video, https://hyperallergic.com/544286/xandra-ibarra/

































What is Censorpedia?

Censorpedia is a crowdsourced online database of censorship cases within the arts and in culture. It is aimed at those researching censorship, at activists working for freedom of expression and at artists and other cultural producers whose expression has been subject to censorship or attempted censorship.

Censorpedia documents censorship incidents by providing the who, what, when, where and why. By providing a repository of information about what is vulnerable to censorship and about the strategies and tactics that have defeated previous’ censorship attempts, Censorpedia aids the fight for free expression.

Researchers can search for a specific case, year or keyword using the search box, as well as browse by medium, by grounds for censorship, or explore a random case.

Activists can search for ongoing cases or contribute a case that is ongoing or recently resolved.

Artists and cultural producers are similarly invited to add cases they are directly involved with or are familiar with first hand.

Censorpedia builds on the landmark 1994 art project The File Room, initiated by Muntadas.

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