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{{Display censorship incident
 
{{Display censorship incident
 
|ongoing=no
 
|ongoing=no
|year=2014
+
|year=1934
 
|region=North America
 
|region=North America
|artist=Conflict Kitchen
+
|artist=Ann Rice O’Hanlon,
|subject=Political/Economic/Social Opinion, Religion
+
|subject=Political/Economic/Social Opinion
|confronting_bodies=Conservative pro-Israel groups
+
|confronting_bodies=University of Kentucky
|medium=Mixed Media, Performance Art, Public Art
+
|medium=Painting, Public Art
|date_of_action=November 7, 2014
+
|date_of_action=November 25, 2015
|location=Pittsburgh
+
|location=Lexington, Kentucky, United States of America
|description_of_content=Conflict Kitchen serves food from countries with which the United States is in conflict.
+
|description_of_content=Ann Rice O'Hanlon was a 20th-century American visual artist who painted murals. An alumna of the University of Kentucky, O'Hanlon painted a wall-length mural (fresco) inside the university's Memorial Hall in 1934 as part of the Treasury Relief Art Project, with funding from the Works Progress Administration (WPA). The 11 x 38 foot fresco depicts the history of Kentucky through a series of vignettes, including explorers on the frontier, horse racing and scenes of downtown Lexington, the construction of log cabins, fishing off a bridge, passengers riding in a train, and horse training. It includes depictions of African-Americans picking tobacco in the fields, white people dancing to music played by black musicians, and a Native American peering from the woods at a white woman gathering water from a stream.
|description_of_incident=From October 2014 Conflict Kitchen has been serving Palestinian food. The food wrappers contain texts drawn from interviews with Palestinians in both Palestine and in Pittsburgh. Conservative pro-Israel groups called these texts "anti-Israeli messages."
+
|description_of_incident=After students of color at the University of Kentucky objected to the mural, the administration draped the work in white fabric. In a November 23 statement issued two weeks after a meeting with two dozen African-American students, University President Eli Capilouto related this comment:
  
A spokesman at the Jewish Federation of Greater Pittsburgh criticized the restaurant, saying that the Palestinian territories are not "in conflict" with the United States. Furthermore the Jewish organization B'nai B'rith International publicly expressed their "deep concern" to Heinz Endowments, which is a financial backer of Conflict Kitchen. Their president, Grant Oliphant, wrote that "[Heinz Endowments] emphatically does not agree with or support either the anti-Israel sentiments quoted on Conflict Kitchen's food wrappers or the programme's refusal to incorporate Israeli or Jewish voices in its material."
+
"One African American student recently told me that each time he walks into class at Memorial Hall he looks at the black men and women toiling in tobacco fields and receives the terrible reminder that his ancestors were enslaved, subjugated by his fellow humans. Worse still, the mural provides a sanitized image of that history."
  
On November 7th Conflict Kitchen received death threats.
+
On November 25, 2015, the administration covered the entire fresco in white sheets. Capiluoto referred to the shrouding as an interim action, as a "long-term answer will take some time." Capilouto also created a task force made up of faculty, staff and students.
|description_of_result=Conflict Kitchen closed down for 5 days due to the death threats. Support, including a public-organised rally, grew as a result of and in response to the threats and accusations.
+
|description_of_result=The American poet, novelist, activist and farmer Wendell Berry wrote an op-ed in the Lexington Herald-Leader denouncing the University of Kentucky’s decision. Excerpts:
|image=Conflict Kitchen.jpg
+
 
 +
"I don’t believe Ann Rice O’Hanlon would willingly have painted 'a painful and degrading personification of a false, romanticized rendering of our shared history.' I don’t think she did. I don’t think, to quote President Eli Capilouto again, that 'the mural provides a sanitized image of that history' or that her 'artistic talent actually painted over the stark reality' of slavery."
 +
 
 +
More:
 +
 
 +
"The president further objects to the fresco on the ground that it reminds 'one black student... that his ancestors were slaves.' That statement has at least two arresting implications: (1) that black students should not ever be reminded that their ancestors were slaves, and (2) that white students should not ever be reminded that their ancestors were slave owners. Do students, then, study history at our 'flagship university' in order to forget it?"
 +
 
 +
The task force concluded the mural should be displayed, but with a wall text alongside it to give historical context to the work. The mural remained covered until April 2017 when the drapery was removed and the mural was once again put on display but with signage describing its history, including the concerns voiced about it over the years.
 +
 
 +
In a blog post, UK President Capilouto stated:
 +
 
 +
“Against that backdrop, the concern, for many, is that the mural does not adequately reflect the violence and inhumanity that many experienced through subjugation and slavery,” he said. “Those questions of intent, context and perception have become part of a larger conversation at UK about racial climate. And, as is so often the case, we’ve been led by students.
 +
|image=UKentucky.jpg
 +
|source=http://www.kentucky.com/opinion/editorials/article100481602.html
 
}}
 
}}
[https://www.theguardian.com/world/2014/nov/09/pittsburgh-restaurant-conflict-kitchen-death-threats-israel Pittsburgh restaurant receives death threats in 'anti-Israel messages' furore], The Guardian, Martin Pengelly in New York, Sunday 9 November 2014 12.29 EST
+
[http://ncac.org/blog/shrouding-history-or-protecting-students-university-of-kentucky-covers-1930s-mural Victory: A Year On, University of Kentucky Uncovers Controversial Mural Depicting Slaves, NCAC, BY SVETLANA MINTCHEVA, orig. post Dec 3, 2015; Update: Apr 21, 2017]
 +
 
 +
[http://www.kentucky.com/news/local/education/article140580518.html Controversial UK mural uncovered, this time with context, BY LINDA BLACKFORD, March 24, 2017]
 +
 
 +
[http://www.theamericanconservative.com/dreher/wendell-berry-vs-political-correctness Wendell Berry vs. Political Correctness, By ROD DREHER, December 1, 2015]
 +
 
 +
[http://www.kentucky.com/opinion/op-ed/article47230635.html Op-Ed: Censors on the flagship, BY WENDELL BERRY, November 30, 2015]
  
[https://www.washingtonpost.com/lifestyle/style/how-a-tiny-restaurant-in-pittsburgh-waded-in-to-the-israeli-palestinian-conflict/2014/11/14/7b905072-6b4e-11e4-b053-65cea7903f2e_story.html Pittsburgh’s tiny Conflict Kitchen wades into the sprawling Israeli-Palestinian debate], The Washington Post, By Jessica Contrera November 14, 2014
+
[http://www.kentucky.com/opinion/editorials/article100481602.html Moral of UK mural debate: mutual respect: Kudos for uncovering a work of art and unveiling a new commitment to a diverse, inclusive campus, Sept 7, 2016]
  
[http://conflictkitchen.org/2014/11/13/thank-you-to-our-supporters/ THANK YOU TO OUR SUPPORTERS], (Conflict Kitchen website)
+
http://ukcc.uky.edu/cgi-bin/dynamo?maps.391+campus+0049
  
  

Revision as of 12:28, 21 April 2017

This Week's Featured Case



UKentucky.jpg

Artist: Ann Rice O’Hanlon

Year: 1934

Date of Action: November 25, 2015

Region: North America

Location: Lexington, Kentucky, United States of America

Subject: Political/Economic/Social Opinion

Medium: Painting, Public Art

Confronting Bodies: University of Kentucky

Description of Artwork: Ann Rice O'Hanlon was a 20th-century American visual artist who painted murals. An alumna of the University of Kentucky, O'Hanlon painted a wall-length mural (fresco) inside the university's Memorial Hall in 1934 as part of the Treasury Relief Art Project, with funding from the Works Progress Administration (WPA). The 11 x 38 foot fresco depicts the history of Kentucky through a series of vignettes, including explorers on the frontier, horse racing and scenes of downtown Lexington, the construction of log cabins, fishing off a bridge, passengers riding in a train, and horse training. It includes depictions of African-Americans picking tobacco in the fields, white people dancing to music played by black musicians, and a Native American peering from the woods at a white woman gathering water from a stream.

The Incident: After students of color at the University of Kentucky objected to the mural, the administration draped the work in white fabric. In a November 23 statement issued two weeks after a meeting with two dozen African-American students, University President Eli Capilouto related this comment:

"One African American student recently told me that each time he walks into class at Memorial Hall he looks at the black men and women toiling in tobacco fields and receives the terrible reminder that his ancestors were enslaved, subjugated by his fellow humans. Worse still, the mural provides a sanitized image of that history."

On November 25, 2015, the administration covered the entire fresco in white sheets. Capiluoto referred to the shrouding as an interim action, as a "long-term answer will take some time." Capilouto also created a task force made up of faculty, staff and students.

Results of Incident: The American poet, novelist, activist and farmer Wendell Berry wrote an op-ed in the Lexington Herald-Leader denouncing the University of Kentucky’s decision. Excerpts:

"I don’t believe Ann Rice O’Hanlon would willingly have painted 'a painful and degrading personification of a false, romanticized rendering of our shared history.' I don’t think she did. I don’t think, to quote President Eli Capilouto again, that 'the mural provides a sanitized image of that history' or that her 'artistic talent actually painted over the stark reality' of slavery."

More:

"The president further objects to the fresco on the ground that it reminds 'one black student... that his ancestors were slaves.' That statement has at least two arresting implications: (1) that black students should not ever be reminded that their ancestors were slaves, and (2) that white students should not ever be reminded that their ancestors were slave owners. Do students, then, study history at our 'flagship university' in order to forget it?"

The task force concluded the mural should be displayed, but with a wall text alongside it to give historical context to the work. The mural remained covered until April 2017 when the drapery was removed and the mural was once again put on display but with signage describing its history, including the concerns voiced about it over the years.

In a blog post, UK President Capilouto stated:

“Against that backdrop, the concern, for many, is that the mural does not adequately reflect the violence and inhumanity that many experienced through subjugation and slavery,” he said. “Those questions of intent, context and perception have become part of a larger conversation at UK about racial climate. And, as is so often the case, we’ve been led by students.”

Source: http://www.kentucky.com/opinion/editorials/article100481602.html


Victory: A Year On, University of Kentucky Uncovers Controversial Mural Depicting Slaves, NCAC, BY SVETLANA MINTCHEVA, orig. post Dec 3, 2015; Update: Apr 21, 2017

Controversial UK mural uncovered, this time with context, BY LINDA BLACKFORD, March 24, 2017

Wendell Berry vs. Political Correctness, By ROD DREHER, December 1, 2015

Op-Ed: Censors on the flagship, BY WENDELL BERRY, November 30, 2015

Moral of UK mural debate: mutual respect: Kudos for uncovering a work of art and unveiling a new commitment to a diverse, inclusive campus, Sept 7, 2016

http://ukcc.uky.edu/cgi-bin/dynamo?maps.391+campus+0049
















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